Misium Drawing Project

drawing the net from which she may escape...

info at misium com        © 2008-20 MISIUM™, Zen Gorilla™, Puerto Vida™, Juan Luna™, artemisium™, Robito™

 

10000+ Drawings in 1000 Suites (2010-20)

The Misium Drawing Project started in New York City in 2010 with a commitment to drawing daily and to making at least a thousand drawings each year. In November 2019, the drawing count reached 10,000 in Venezia. 2020 brought all practices together while living and working in the Amazonia during the Covid pandemic.

The drawings have gone from sketches driven by ideas to drawings fostered by the making process itself. The mark making exploration has taken multiple turns with marks being made increasingly with every day tools and objects.

The drawing project has satisfied deep personal needs. First, as an ideation practice departing from my inventor background. Later, as a tool in a resistance project in Puerto Vida, Uruguay [http://PuertoVida.org/]. Finally, as a magic means to connect it all. There have been many surprises in this journey such as the range of mark-making, the inverting of drawings into celestial black, the creation of "cosmic bubbles," and the publishing of drawings through books and manifestos.

The large number of drawings makes showing all of them as objects on the wall rather difficult. Placing the drawings in three vertical rows would still require a wall over one kilometer long. Drawings might then be curated into small groups on physical or virtual walls.

Other approaches have been pursued to access all the drawings, as described below: Web Scripts, Videos, Books, Manifestos...

 

Drawing Walls

The traditional approach to curating drawing exhibits is to place a selection of elements on a physical or virtual wall. We may choose as few as three drawings out of ten thousand. For example, drawings number 0092, 4700 and 9999:

Wall 3x1

(Note: All drawings have been scanned, mostly at 600 dpi. The actual size of the drawings is in the 20x30 cm range for the first 9000 drawings with a few exceptions. The last 1000 drawings were made on A4-size paper or 29.7x42 cm.
Then, throughout this website, the drawing scans have been scaled to fit frames of the same size. In the arrangement above for instance, the first two drawings are in the 20x30cm range whereas the last drawing is A4 size or 29.7x42.0 cm.)

Two sets of three drawings add depth:

Wall 3x1

 

Choosing ten drawings from 10,000 gives a little more perspective of the whole project. The drawings might be curated by selecting one each thousand drawings, as follows:

Wall 5x2

 

Suites:
Selecting a small set of drawings might also be done by systematically seeing one drawing every one thousand or about one drawing for each year. The drawings have then been organized into a thousand "Suites." For instance, Suite No. 1 includes drawings 0001, 1001, 2001, 3001 and so on up to drawing 9001. Viewing suites allows for a faster comprehension of the project and for the dispersion of the drawings into exhibits and collections. These are examples of a few suites. Suite No. 222 looks like:

Suite#222

Suite No. 911:

Suite#911

This is Suite No. 669 in a different arrangment used as frames for a video and pages for a book:

Suite#669

 

The possibilities are obviously endless with 10,000 drawings to choose from:

Wall Crazy

 

Web Scripts

The opening for this website utilizes a script that shows the drawings in a cinematic manner. The appearance is that of a video, but the script has built in multiple random processes making for a changing viewing experience. There is randomization from selecting the drawings to the timing of each drawing through the effects utilized for displaying each drawing (e.g. zoom out) and for transitioning between drawings.
The opening script can be played as a loop here.

A small version of the script randomly looping through a set of twenty-three drawings is just above on this page.

Several displays might be used in an exhibit for showing the drawings as a multiplicity of moving images by using videos and web scripts. A sixteen-display arrangment follows:

 

Videos

The making of videos where each frame corresponds to a single drawing or to a set of drawings is a compact and portable approach to showing the drawings. This page opens with a sixteen-display video capturing different approaches to showing the drawings.

The following 4k video shows all drawings under two minutes. A hundred drawings per frame ending with a frame showing all 10,000 drawings.

 

Another 4k video shows 4x4 drawings on each frame at one frame per second:

 

Ten thousand drawings are shown as follows in ten minutes at 17 fps. Pausing at any time allows for seeing a single drawing:

 

The different video approaches to showing ten thousand drawings can then be arranged as a set of displays as in this demo:

 

Suites have been arranged in 4k frames playing in this 17-minute video. Pausing shows a single suite (as described above Suite nnn includes drawings nnn, 1nnn, 2nnn... 9nnn):

 

The following video shows all 1,000 suites in about 3 hours, drawing by drawing at 1fps (one second for each drawing):

 

Showing the suites of drawings can also be arranged as a set of displays:

 

Alternatively, a video may offer a time snapshot by displaying all drawings for a particular period. For instance, the drawings have been organized in seasons or quarters with each seasonal group having in most cases 273 drawings for 13 weeks with 21 drawings each.

The earliest drawings in "The Drawing Project" are displayed in the following video with a commentary:

 

The following is a video for the 2018 Spring or 2017-18 fourth quarter. The soundtrack reflects on the practice of chanting often parallel to that of drawing:

 

More recently a foray into the Amazonia entangled the drawings with the dictation of essays:

 

Here is a set of displays showing drawings for different periods of the project: Puerto Vida, Amazonia, Venezia, and Brooklyn. Soundtrack from Puerto Vida:

 

Books

This is a photograph from an exhibit ("The Unspecific Index," NYC, 2012) with a display showing the drawing cinematically via a script and with a table holding several books with all the drawings for a one-year period. This allowed for visitors to have two different ways to see and explore the drawings: watch a display showing drawings randomly or engage with a set of books organized linearly.

 

A 625-page book with 10,000 drawings has been completed (© 2020 Misium) by printing sixteen drawings on each page. The following is an abridged version of the book assembled from pages 001, 063, 125, 188, 250, 313, 375, 438, 500, 563 and 625:

If the booklet does not show in the above window, it can be opened separately.

 

A book with the thousand suites of drawings is also available (© 2020 Misium). An abridged ten-suite version of the book follows:

If the booklet does not show in the above window, it can be opened separately.

 

The drawings have been exhibited too in "quarterly reports" or "season summaries." That is, books mimicking corporate quarterly earnings reports and containing reproductions of all drawings for a three month period, quarter or season.

This is the quarterly report cover "for the quarterly period ended June 21, 2012" (CITI report):

 

Manifestos

The drawings have been reproduced as "manifestos" (manifesto also stands for poster in Italian) mostly in public spaces. Manifestos allow for the displaying of a great deal of information economically and in a "non-art" medium.

The following 200x140 cm manifesto (© 2020 Misium, scaled down here) displays 10,000 drawings at 600 dpi. That is about one and half billion pixels showing 10,000 drawings with ample details.

The upper left and lower right corners of the manifesto above are shown here:

 

In 2019, collateral to the Venice Biennale, a series of manifestos were placed around the city. Each manifesto was composed weekly previous the biennale opening with the twenty-one drawings made each week.

The manifestos were mostly 100x70 cm with a few printed at 200x140 cm, as per the example below:

 

© 2008-20 MISIUM™, Zen Gorilla™, Puerto Vida™, Juan Luna™, artemisium™, Robito™        info at misium.com        drawing the net from which she may escape...™

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